But the views were amazing.
The bright, sunny morning had disappeared behind clouds, as we've come to expect in the afternoons here, and, true to form, the rain was pelting down in earnest when we arrived, but the National Trust had big golf umbrellas for our use as we walked down the long avenue to the house.
We got the "Upstairs, Downstairs" view, with both the servants' areas and the family's set up as they would have been.
I think this cheese may have been sitting there for a while.
Pool, anyone?
The gentleman's bathroom, which he didn't share with his wife.
The drawing room, which I recently learned was short for "withdrawing room," meaning the room where you could withdraw to from the public rooms (like the formal dining room).
This is the view from the morning room - I wouldn't mind having a second cup of coffee here.
To further add to the realism, a pianist was playing popular tunes from the 1920's on the Steinway in the long gallery.
The house was spectacular, and the gardens even more so - and the rain had let up while we toured the house.
There are formal gardens near the house (that's a parish church behind the house, not part of the National Trust).
And there are acres upon acres of woodland gardens, full of rhododendrons, camellias, magnolias, and carpets of bluebells.
That's a single rhododendron bush (tree!) in the background - this is a perfect climate for them.
We couldn't pass up a "cream tea," served in the housekeeper's room.
A perfect way to end our time in Cornwall.














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